Janice Lancaster is a dancer, choreographer, educator and advocate. Her projects are a nexus for collaboration, research, and the generation of work that expands how and where dance is shared. She is inspired by dance’s power to both commune with the unknown and serve as a cultural artifact revealing performative perceptual modes.
She has received commissions through Hubbard St. 2, VIA Dance Collaborative, the Black Mountain College Museum + Arts Center, Bard Music Festival, Bessie Schönberg Choreographer’s Residency on the Yard, Robert Wilson’s Watermill Center and The Southeastern Center for Contemporary Art.
While continuing to make and share her own work, Janice has had the pleasure of performing with Shen Wei Dance Arts since 2005, and has also worked on projects with the San Francisco Symphony, Opera Omaha, Danielle Russo, Rodger Belman, Lauri Stalling’s gloATL, Aynsley Vandenbroucke, Satoshi Haga, Abby Chan and Boi Sakti. She has collaborated on improvisational work with Lance Gries, Renee Archibald, Miguel Gutierrez, KJ Holmes, Ray Eliot Schwartz, and many ad hoc performance groups.
Her work has been presented in New York City at Movement Research at Judson Church, Dance New Amsterdam, The Ailey Citigroup Theatre, Galapagos Art Space’s FRAMEWORKS Film Series, Joyce Soho Presents, Dixon Place’s Underexposed Series, Movement Research’s Open Performance, One Arm Red, and elsewhere: The American Dance Festival Draftworks and MFA Concert (Durham, NC), the Chisenhale Dance Space’s TV Dinners Festival (London), WUK Association for the Creation of Open Culture and Workshop Houses (Vienna), CCN-Ballet de Lorraine (Nancy, France), Performática (Puebla/Cholula, Mexico); The Fulton Opera House (Lancaster, PA), The McCallum Theatre (Palm Desert, CA); The Casa Hoffman (Curitiba, Brazil); and The Honolulu Theatre for Youth (Honolulu, HI).
She holds a MFA from Hollins University/American Dance Festival, BFA from the University of NC School of the Arts, and is a certified Hatha and Restorative Yoga teacher. Janice is currently a Programming Intern at Movement Research in New York City, and has also gained arts administrative experience through Dance Theater Workshop’s Arts Management and Writing on Dance Labs.